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Terp Young Scholars

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Orientation

Schedule | Residential Check-In | Commuter Check-In | Orientation Sessions | Travel Info

Orientation Day is Sunday, July 8. Attendance is mandatory. 

No student will be permitted to check-in without having completed Confirmation of Admissions .

Orientation Day Schedule

Event

Audience Type

Location

Time

Check-in

Residential Students & Parents

Check-in: Cambridge Community Center
**Located Behind Cumberland Hall

 

Residence Hall: Cumberland Hall
4145 Valley Drive
College Park, MD 20742

9:30 – 11:30am

Commuter Students & Parents

Adele H.  Stamp Student Union ,

Hoff Theater

3972 Campus Drive
College Park, MD 20742

10:00 – 11:30am

Lunch

All Students Only

The Diner- North Campus

Noon – 12:45pm

Orientation

All Parents Only

 

Adele H.  Stamp Student Union ,

Hoff Theater

3972 Campus Drive
College Park, MD 20742

Noon – 2:00pm

All Students Only

Tydings Hall , Room 0130

1:00 – 2:00pm

Mentor Sessions

Residential Students Only

Campus Classrooms

2:00 – 5:00pm

 

Residential Check-In

  • Receive your University ID Card, meal cards, room assignment and keys. Afterwards, you’ll move-in.
  • Parking attendants direct traffic and unloading. You will be permitted to move your vehicle close to the residence hall in order to unload your belongings. The program does not have staff that can assist with unloading or moving belongings into the residence hall.
  • Once you have unloaded, you’ll need to move your car to Lot 1. You may not park and leave your vehicle at the residence hall.
  • Parents/Guardians: After move-in, you’ll say good-bye to your residential student. Your next step is the Parent Orientation Session .
  • Residential students go to lunch and then the  Student Orientation Session .
  • See Campus Map for residence hall, Lot 1, and Stamp Student Union. (coming soon)
  • To park on campus, you must have a valid parking permit. Print out an Orientation Day Lot 1 Permit. (coming soon)

Commuter Check-In

  • Receive your University ID Card and meal card.
  • Meet other commuters, exchange information and, perhaps, set-up carpools.
  • Students & Parents walk to the residence hall, which is the location to meet on the first day of classes. Parents return to the Stamp Union for the Parent Orientation Session ; students go to lunch and then the Student Orientation Session ;
  • To park on campus, you must have a valid parking permit. Print out an Orientation Day Lot 1 Permit. (coming soon)
  • See Campus Map for Lot 1 and Stamp Student Union. (coming soon)

Orientation Sessions

Parent Session: Includes an introduction and greeting by professional staff, overall program information, a review of the policies and procedures, and a question and answer session. At the conclusion of the Orientation Session, parents may return home. Commuter students will meet their parents outside of Hoff Theatre.

Student Session: Includes an introduction by the mentor staff, overall program information, and a review of the policies and procedures. At the conclusion of the Orientation Session, Commuter students be escorted to Stamp to meet their parents outside of Hoff Theatre.

Travel Information

Comprehensive travel directions may be found on the Conferences and Visitor Services website.

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Occasionally, College Park Scholars contacts parents with information on program events and news. If you would like to be on our mailing list, please take a few minutes to fill out this form. We appreciate your cooperation.

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Dhanish Matriculation Higher Secondary School

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Dhanish Matriculation Higher Secondary School

Dhanish Matriculation Higher Secondary School , Kolathur

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Address:
#10 Kambar Nagar, 5th Extension
, Kolathur , Chennai

600099

Locality:

Kolathur

(Find more
Kolathur schools )

Landmark:
Near Periyar Nagar E.B. Office


Phone:

+91-44-25500567


Medium: 

English Medium

Overview

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  • LKG to
    XII

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  • English Medium
  • Co-ed School

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F

Fathima
23/04/2016

Fees details for standard 2 & for l.k.g

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imran khan
22/06/2014

I want to put my child in LKG can I the fees structure

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06/06/2014

Assalamualikum I am Mohammed Furqaan i had finished my SSLC 10 standard I want to get the admission in your school so please let me know there us seat for 11 standard I have written the exam from private and fees structure.

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U

luthif
30/05/2014

Asak I want to put my child in 6 grd can I know is there any seat n about. Ur fees structure

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Program Description Handbook 2016-17

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National School Lunch and Breakfast Programs

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DESCRIPTION:

Public school districts, nonprofit, nonpublic schools and residential childcare institutions are eligible to participate in these Programs.  Federal and State reimbursement is provided monthly for meals served to children that meet federal meal pattern requirements.  The amount of reimbursement for each meal is based on the family’s eligibility for free, reduced price or full priced meals, which is determined by an annually approved application, direct certification letter or computer match with the local Department of Social Services or the Office of Temporary and Disability Assistance.  In addition, $.2275 in donated foods is available per day per lunch to each school food authority.

  • School Breakfast Programs

Chapter 537 of the Laws of 1976 mandated that school breakfast programs be instituted in all public schools in the City School Districts of Buffalo, New York City, Rochester, Syracuse and Yonkers. 

Chapter 798 of the Laws of 1980 required funding levels of $.11 for each free breakfast, $.12 for each reduced price breakfast and $.0025 for each full price breakfast.  Chapter 53 of the Laws of 1988 raised the State subsidy an additional $.05 for each reduced price breakfast to $.17.

Chapter 798 of the Laws of 1980 also authorized the reimbursement of all approved costs exceeding revenues associated with the federal school breakfast programs to school districts during their first year of operation, payable in the following year (“full cost reimbursement”). 

Section 389 of Chapter 57 of the Laws of 1993 added a new Subdivision c to §1 of Chapter 537 of the Laws of 1976 to require school districts to establish school breakfast programs no later than September 1, 1993 in public elementary schools categorized as “severe need.”

Chapters 614 and 615 of the Laws of 1993 further amended the provisions for mandated school breakfast programs by extending the requirements to all public “severe need” schools beginning September 1, 1994 and to all elementary schools that were in the National School Lunch Program on or after January 1, 1993 no later than September 1, 1995.  Schools may obtain an annual exemption if they can document lack of need, economic hardship or other good cause.

  • National School Lunch Program

The Omnibus Reconciliation Act of 1981 (PL 97-35) changed the State Revenue Matching Requirement for the National School Lunch Program.  For each school year, beginning with school year 1981-1982, the State Revenue Matching Requirement is equal to 30 percent of all federal §4 funds provided for reimbursement of lunches served to children in the school year 1980-1981, unless the §4 funds in a succeeding year exceed the amounts paid in 1980-1981. 

Projections for the breakfast and lunch programs will vary from year-to-year based on when holidays fall.  Both the days of the week of the holidays and the fiscal year where Easter occurs affect how schools allocate vacation time, which in turn impacts on days of service.

 

AUTHORITY:

Federal Statute:        National School Lunch Act, Child Nutrition

Federal Regulation:  7 CFR 210, 220, 245

State Statute:            

State Regulation:     

 

FUNDING SOURCE(S):

State-                           5.5%

Federal-                       94.5%

Special Revenue-       

Total-                           $825m

 

NUMBER OF INDIVIDUALS SERVED: Annually – Breakfast 95 million; Lunch 301 million (Average Daily Participation – Breakfast 560,000 and Lunch 1.7 million)

Last updated
December 11, 2017 – 9:23am

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case report clinical nuclear medicine


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Home > Journals > Clinical Nuclear Medicine
Clinical Nuclear Medicine
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Clinical Nuclear Medicine

Editor(s): Colletti, Patrick M.
Publisher: Lippincott Williams & Wilkins (LWW)
Impact Factor*: 4.563
ISI JCR Ranking 2016: 12/127 (RADIOLOGY, NUCLEAR MEDICINE & MEDICAL IMAGING)
ISSN: 0363-9762

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This authoritative journal provides up-to-date information on nuclear medicine that can be readily applied to clinical situations.

Written for both generalists and specialists in nuclear medicine, the journal ensures timely dissemination of data on current developments that affect all aspects of the specialty. The most practice-oriented journal in the field of nuclear imaging, its abundant illustrations show physicians how to apply vital information immediately in their everyday practice.

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  • Platform:
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  • Publisher: Lippincott Williams & Wilkins (LWW)
  • Product Type: Journal
  • Author/Editor: Colletti, Patrick M.
  • ISSN: 0363-9762
  • Specialty:
    Nuclear Medicine
    Radiology
    Rehabilitation & Physical Medicine
    Residents
  • Language: English
  • Frequency: 12 Times a Year
  • Coverage: Vol 21 #1 (1996) – Present
  • PDF Coverage: Vol 25 #9 (2000) – Present
  • Impact Factor*: 4.563
  • ISI JCR Ranking 2016 : 12/127 (RADIOLOGY, NUCLEAR MEDICINE & MEDICAL IMAGING)
  • Archives Available: Clinical Nuclear Medicine – Comprehensive Archive to 2012 Vol 1(1976) to Vol 38(2013) , Clinical Nuclear Medicine – Archive 2008 Vol 1(1976) to Vol 33(2008)

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bank reconciliation statement rules ppt

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Bank Reconciliation Statement


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Bank Reconciliation
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Preparation

Bank reconciliation statement is a report which compares the bank balance as per company’s accounting records with the balance stated in the bank statement.

It is normal for a company’s bank balance as per accounting records to differ from the balance as per bank statement due to timing differences. Certain transactions are recorded by the entity that are updated in the bank’s system after a certain time lag. Likewise, some transactions are accounted for in the bank’s financial system before the company incorporates them into its own accounting system. Such timing differences appear as reconciling items in the Bank Reconciliation Statement.

The purpose of preparing a Bank Reconciliation Statement is to detect any discrepancies between the accounting records of the entity and the bank besides those due to normal timing differences. Such discrepancies might exist due to an error on the part of the company or the bank.

Importance of Bank Reconciliation

  • Preparation of bank reconciliation helps in the identification of errors in the accounting records of the company or the bank.
  • Cash is the most vulnerable asset of an entity. Bank reconciliations provide the necessary control mechanism to help protect the valuable resource through uncovering irregularities such as unauthorized bank withdrawals. However, in order for the control process to work effectively, it is necessary to segregate the duties of persons responsible for accounting and authorizing of bank transactions and those responsible for preparing and monitoring bank reconciliation statements.
  • If the bank balance appearing in the accounting records can be confirmed to be correct by comparing it with the bank statement balance, it provides added comfort that the bank transactions have been recorded correctly in the company records.
  • Monthly preparation of bank reconciliation assists in the regular monitoring of cash flows of a business.

Preparing a Bank Reconciliation Statement

Balance as per corrected Cash Book

This is the starting point of a bank reconciliation. Corrected bank balance is calculated by adjusting the cash book ledger balance for transactions that are recorded by the bank but not by the entity as shown below:

Amount $
Balance as per Cash Bookxxx
Add:
    Direct Credits xxx
    Interest on Deposit xxx
Less:
    Bank Charges (xxx)
    Direct Debits (xxx)
    Standing Order (xxx)
    Errors in Cash Book (xxx)
Balance as per corrected Cash Bookxxx

Bank Reconciliation statement is prepared after corrected Cash Book balance is calculated as described above:

Bank Reconciliation Statement as at 31 December 2011
Amount $
Balance as per corrected Cash Bookxxx
Add:
    Unpresented Cheques xxx
Less:
    Deposits in Transit (xxx)
    Errors in Bank Statement (xxx)
Balance as per Bank Statementxxx

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digimon x evolution english dubbed

World

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Digital Monster X-Evolution (movie)

Have you seen this?
want to /
seen some /
seen all
[ related to Digimon Adventure (TV) ]

Alternative title:

Digital Monster X-Evolution:13th Royal Knights
X-evolution
Objectionable content:
Mild
Plot Summary:
A virtual world was created by the present-day network called the “Digital World”. The “Digital Monster”, which is a digital life object, was born, and the host computer Yggdrasil managed the different Digital World areas. However, it developed the X Program of fear to eliminate all Digimon in the old world and develop a new Digital World for only certain Digimon…Now, the greatest crisis ever approaches the Digital World.
User Ratings:
102 ratings have been given [ details ]

 Masterpiece: 10 votes (sub:9, raw:1)

 Excellent: 15 votes (sub:10, dub:3, raw:1, others:1

1 Spanish subtitled

)

 Very good: 22 votes (sub:19, raw:1, dub:1, others:1

1 Portuguese subtitled

)

 Good: 26 votes (sub:20, dub:6)

 Decent: 14 votes (sub:10, dub:3, others:1

1 Spanish subtitled

)

 So-so: 5 votes (sub:4, dub:1)

 Not really good: 2 votes (sub:2)

 Weak: 6 votes (sub:5, edit.dub:1)

 Bad: 1 vote (sub:1)

 Awful: –

 Worst ever: 1 vote (sub:1)

Seen in part or in whole by 267 users, rank: #2712 (of 7368)
Median rating: Good
Arithmetic mean: 7.157 (Good), std. dev.: 1.9591, rank: #2319 (of 7390)
Weighted mean: 7.109 (Good), rank: #2312 (of 7390) (seen all: 7.11 / seen some: 7.00)
Bayesian estimate: 7.155 (Good), rank: #1989 (of 5573)

Running time:
80 minutes
Vintage:
2005-01-03
Official website:

“Digital Monster X-evolution” @ TOEI Animation (Japanese)
Bandai of Japan’s X-Evolution site
Trivia: We have 1
News: Show:

Errata: Digital Monster X-Evolution (Nov 29, 2004)
Digital Monster X-Evolution Release Date and Trailer (Nov 29, 2004)
New Digimon for 2005 (May 25, 2004)
You can contribute information to this page, but first you must login or register

Japanese staff

Japanese cast
Director: Hiroyuki Kakudou
Screenplay:
Kazunori Itō
Miu Kawasaki
Music: Takehiko Gokita
Original Concept: Akiyoshi Hongo
Art design: Yoshito Watanabe
Cgi Director: Tony Tang
Producer:
Atsutoshi Umezawa (Toei Animation)
Atsuya Takase (Fuji TV)
Kyotaro Kimura (Yomiko Advertising, Inc.)
Shigeo Izumitani (Bandai)

Art Advancement: Hiroshi Misono
CG Producer:
Francis Kao
Terry Tse
Toyokazu Hattori (Toei Animation Digital Contents Department)
Compositing Supervisor: Tony Tang
Design Assistant: Katsumi Ishizuka
Documentation: Mamiko Ogawa
Editing: Shigeru Nishiyama
Editing Assistant: Kouichi Katagiri
Modelling Supervisor: Yang Wai Shang
Music Selection: Kosuke Nishikawa
Planning:
Koji Kaneda (Fuji TV)
Kozo Morishita (Toei Animation)
Shin Unozawa (Bandai)
Production Coordination: Shannon Wong
Recording: Sadashi Kuramoto
Recording Assistant: Satoru Matsuda
Sound Effects: Yasuyuki Konno (Swara Production)
Sound Effects Assistant: Yūji Furutani (Swara Production)
Technical Development:
Chow Wai For
Dexter Lau
Enoch Chang
Minami Takayama as Dorumon

Chika Sakamoto as Wargreymon X
Hideyuki Tanaka as Omegamon
Masako Nozawa as Dukemon
Miwa Matsumoto as Tokomon

Akira Ishida as Wizardmon
Atori Shigematsu as Garudamon X
Hiroaki Hirata as Leomon
Junko Noda as Magnamon
Kiyoyuki Yanada as Andromon
Kokoro Kikuchi as Kokuwamon X
Kouichi Toochika as Sylphimon
Mayumi Yamaguchi as Metalgarurumon X
Ryotaro Okiayu as Rhodoknightmon
Satoshi Taki as Hanumon
Toshiyuki Morikawa as Mummymon
Japanese companies
Animation: Toei Animation
Broadcaster: Fuji Television Network
CG Animation: Imagi International Holdings Limited
Distributor: Bandai Visual
Production:
Bandai Co., Ltd.
Digimon CG Project

This encyclopedia is collaboratively edited by the users of this site

DISCLAIMER add information report an error lookup sources

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List of Digimon films

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Aside from the multiple television series, several films have been released in the Digimon franchise. Of those films, two short films (OVAs) animated completely in CGI have never been screened outside Japan, while Digital Monster X-Evolution was first broadcast on television, animated completely in CGI, and was not related to any other season of the television series. The other films are primarily hand-drawn and related to the television series. The first three films are also available in English, compiled into a single film Digimon: The Movie . Subsequent films up to Digimon Frontier: Island of Lost Digimon were also released in English as well, but localizing stopped until the release of the Digimon Adventure tri. film series, whose films are streamed worldwide with English subtitles on the same day as they are released on Japanese theaters, with dubbed copies later released outside Japan.

Contents

  • 1 Digimon Adventure / Adventure 02 / Adventure tri. films
    • 1.1 Digimon Adventure
    • 1.2 Our War Game!
    • 1.3 Digimon Hurricane Touchdown / Transcendent Evolution! The Golden Digimentals
    • 1.4 Digimon: The Movie
    • 1.5 Revenge of Diaboromon
    • 1.6 Digimon Grandprix!
    • 1.7 Digimon Adventure tri. series
  • 2 Digimon Tamers films
    • 2.1 Battle of Adventurers
    • 2.2 Runaway Locomon
  • 3 Digimon Frontier films
    • 3.1 Digimon Frontier: Island of Lost Digimon
  • 4 Digimon Savers (Data Squad) films
    • 4.1 Ultimate Power! Activate Burst Mode!!
    • 4.2 The Digital World in Imminent Danger!
  • 5 Other films
    • 5.1 Digital Monster X-Evolution
  • 6 References

Digimon Adventure / Adventure 02 / Adventure tri. films[ edit ]

Digimon Adventure[ edit ]

Digimon Adventure
Japanese デジモンアドベンチャー
Hepburn Dejimon Adobenchā
Directed by Mamoru Hosoda
Written by Reiko Yoshida
Music byTakanori Arisawa
Release date
March 6, 1999 (1999-03-06)
Box office$20 million

Digimon Adventure is the first Digimon Adventure film. It was released in Japan on March 6, 1999. [1] It was released in the United States on October 6, 2000 as the first part of Digimon: The Movie .

This film acts as a pilot episode for Digimon Adventure. The first story focused on Tai and Kari Kamiya, four years before their adventure in the Digital World. It shows their first encounter with Digimon and their friends become members of the DigiDestined. After the Digi-Egg hatches, a baby Digimon named Botamon transforms into Greymon . He defeats Parrotmon for invading the city. The film was used a pilot episode of Digimon Adventure, which follows the adventures of Tai and his friends.

Our War Game![ edit ]

Digimon Adventure: Our War Game!
Japanese デジモンアドベンチャー ぼくらのウォーゲーム
Hepburn Dejimon Adobenchā: Bokura no Wō Gēmu!
Directed by Mamoru Hosoda
Written by Reiko Yoshida
Release date
March 4, 2000 (2000-03-04)
Running time
45 minutes
Box office$22.8 million

Digimon Adventure: Our War Game! is the second Digimon film. It was released in Japan on March 4, 2000. [2] It was released in the United States on October 6, 2000 as the second part of Digimon: The Movie .

The second story is set after Digimon Adventure. Tai, Matt, Izzy and T.K. discover a computer virus Digimon invading the Internet on worldwide computers. It arrives in the United States, where he launches a nuclear ICBM aimed at Japan. The evil Digimon, turning out to be Diaboromon , set the time for ten minutes, and injures WarGreymon and MetalGarurumon. However, the Internet allows WarGreymon to fuse with MetalGarurumon and they transform into Omnimon. Izzy redirects the e-mails received from children worldwide, in order to slow Diaboromon down and Omnimon defeats him off, just as the missile hit. In the end, the deactivated ICBM lands harmlessly in Tokyo Bay. Our War Game! appears to be inspired by the 1983 film, WarGames . The film is considered canon, due to Izzy’s analysis of Paildramon, because Izzy compares it to WarGreymon and MetalGarurumon’s own DNA Digivolution. Yolei Inoue and Ryo Akiyama made cameo appearances.

Our War Game is similar in plot and design to Hosoda’s 2009 film Summer Wars , which is not related to the Digimon franchise. Neo magazine has stated that Our War Game is “plainly a prototype” of Summer Wars. [3]

Digimon Hurricane Touchdown / Transcendent Evolution! The Golden Digimentals[ edit ]

Digimon Adventure 02: Digimon Hurricane Touchdown!! / Transcendent Evolution!! The Golden Digimentals
Japanese デジモンアドベンチャー02: デジモンハリケーン上陸 / 超絶進化!! 黄金のデジメンタル
Hepburn DeDejimon Adobenchā Zero Tsū: Dejimon Harikēn Jouriku!! / Chouzetsu Shinka!! Ougon no Digimentaru
Directed byShigeyasu Yamauchi
Produced byMakoto Toriyama
Makoto Yamashina
Hiromi Seki
Written by Reiko Yoshida
Music byTakanori Arisawa
Release date
July 8, 2000 (2000-07-08)
Running time
65 minutes
Box office$18.7 million

Digimon Adventure 02: Digimon Hurricane Touchdown!! / Transcendent Evolution!! The Golden Digimentals is the third Digimon film. It was released in Japan on July 8, 2000. [4] It was released in the United States on October 6, 2000 as the third part of Digimon: The Movie .

The last story involves the next generation for the DigiDestined members after they travel from Japan to the United States. and meet up with Willis, helping him to stop the menace of an enigmatic threat. As a kid, Willis was given two twin Digimon: Gummymon and Kokomon . Later, Kokomon mysteriously disappeared without a trace, but transforms into Wendigomon (it is revealed that he was kidnapped and corrupted by a rogue viral program). While T.K. and Kari visit New York City , Wendigomon traps Tai, Matt, Sora, Izzy, Mimi and Joe in the dimension where they were being de-aged. Willis eventually explains his connection to Wendigomon and that he wants to see Willis again, which was why the Digimon kidnapped the others, because they have Digivices. When Wendigomon transforms into Cherubimon, it makes Willis and the others de-aging. Willis realizes that Kokomon promised him to return to the way there were literally meant when Willis was young. Patamon and Gatomon (as Seraphimon and Magnadramon) gave the Golden Digi-Eggs to Veemon and Terriermon (as Magnamon and Rapidmon). After the two destroy Wendigomon (who had a virus within), Cherubimon disappears, while Tai and his friends are reverted to normal. In the end, Willis and Terriermon discover the revived Kokomon reborn from a Digi-Egg at the beach.

The North American compilation, and the two previous films, claims that Willis ‘created’ Diaboromon, in an attempt to create a continuous storyline. The compilation also cuts the de-aging of the older children and battles from the third film in order to shorten it. Also for the dubbed version of the third film, all scenes depicting the mysterious abduction were removed for the English dub.

Digimon: The Movie[ edit ]

Digimon: The Movie
Directed by Mamoru Hosoda
Shigeyasu Yamauchi
Produced byTerri-Lei O’Malley
Written by Bob Buchholz
Jeff Nimoy
Music byUdi Harpaz
Amotz Plessner
CinematographyShigeru Ando
Edited by Gary Friedman
Douglas Purgason
Release date
October 6, 2000 (2000-10-06)
Running time
88 minutes
Budget$5 million
Box office$16.6 million
Main article: Digimon: The Movie

Digimon: The Movie, released in the U.S. and Canada by Fox Kids on October 6, 2000, consists of the union of the first three Japanese films (first two parts from Digimon Adventure, the third part from Digimon Adventure 02). Those stories are based in the universe introduced in the first two seasons of the TV series. This is the first American compilation film.

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Revenge of Diaboromon[ edit ]

Digimon Adventure 02: Revenge of Diaboromon
Japanese デジモンアドベンチャー02: ディアボロモンの逆襲
Hepburn Dejimon Adobenchā Zero Tsū: Diablomon no Gyakushuu
Directed byTakahiro Imamura
Produced byHideki Yamashita
Makoto Shibazaki
Masaki Miyauchi
Tan Takaiwa
Tsutomu Tomari
Hiroyuki Sakurada
Written by Reiko Yoshida
Music byTakanori Arisawa
Release date
March 3, 2001 (2001-03-03)
Box office3,000,000,000 yen ($26.2 million)

Digimon Adventure 02: Revenge of Diaboromon, originally released in Japan as Digimon Adventure 02: Diablomon’s Counterattack, is the fourth Digimon film and the second American compilation film. It was released in Japan on March 3, 2001, [5] later released in the United States on August 5, 2005. Taking place three months after Digimon Adventure 02, the DigiDestined members discover the return of Diaboromon . Tai, Matt, T.K. and Kari head to the Internet, where Diaboromon lures them into a trap. A swarm of Kuramon (Diaboromon’s Fresh form) appear and invade the Real World. Kuramon merges with Diaboromon to create a Super Ultimate level called Armageddemon . Though Omnimon and Imperialdramon fail to stop it, he gives his energy to Imperialdramon Fighter Mode , powering him up to Paladin Mode . Using his Omni Sword attack, Imperialdramon defeats Armageddemon, splitting him back up into Kuramon. With the power of the Digivices and cell phones, the Omni Sword is powered up, sending Kuramon back into the computer.

Along with One Piece: Clockwork Island Adventure , the fourth Digimon film was shown as a double feature, which was called the Tōei Spring Anime Fair 2001. In total, they earned 3,000,000,000 Japanese yen.

Digimon Grandprix![ edit ]

Digimon Grandprix!
Japanese デジモンアドベンチャー3D デジモングランプリ!
Hepburn Dejimon Adobenchā Gurandopuri!
Directed by Mamoru Hosoda
Written byMaekawa Atsushi
Music byTakanori Arisawa
Release date
October 3, 2009 (2009-10-03)
Running time
7 minutes

Digimon Adventure 3D: Digimon Grandprix! (デジモンアドベンチャー3D デジモングランプリ!, Dejimon Adobenchā Gurandopuri!) is a 7-minute CG OVA produced by Toei Animation that was originally screened at the Time Machine of Dreams theme park attraction at Sanrio Puroland from July 20, 2000 to June 23, 2002 and Harmonyland. It made its theatrical debut on October 3, 2009 alongside Digimon Savers 3D: The Digital World in Imminent Danger!, GeGeGe no Kitaro: Kitaro’s Ghost Train and Yaemon, The Locomotive as part of the Burst Out! 3D Toei Anime Festival. [6] It was released on DVD along with the other three films on February 21, 2010 under the name “CG Toei Anime Festival” and was later included on a bonus disc in the Digimon THE MOVIES Blu-ray 1999–2006 compilation, released on January 9, 2015.

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Digimon Adventure tri. series[ edit ]

Main article: Digimon Adventure tri.

Digimon Adventure tri. is a six-part film series, taking place three years after the events of Digimon Adventure 02. When mysterious occurrences cause infected Digimon to appear in the real world, the original DigiDestined members face the changes that are happening in their own lives. Reunion was released in Japan on November 21, 2015, with an English dub version to be released in September 2016, Determination was released in Japan on March 12, 2016, and Confession released on September 24, 2016. Loss was released on February 25, 2017, Coexistence was released in September 30, 2017 and Future was released on May 5, 2018. [7]

Digimon Tamers films[ edit ]

Battle of Adventurers[ edit ]

Digimon Tamers: Battle of Adventurers
Japanese デジモンテイマーズ 冒険者たちの戦い
Hepburn Dejimon Teimāzu: Bōkensha-tachi no Tatakai
Directed byTetsuo Imazawa
Written by Yasuko Kobayashi
Music byTakanori Arisawa
Release date
July 14, 2001 (2001-07-14)
Running time
50 minutes
Box office$10.2 million

Digimon Tamers: Battle of Adventurers originally released in Japan as Adventurer’s Battle, is the fifth Digimon film and the third American compilation film. It was released in Japan on July 14, 2001. [8] It was released in the United States on October 16, 2005.

The Tamers are on summer vacation and split up to enjoy themselves. Takato visits his cousin Kai in Okinawa with Guilmon, Henry and Terriermon investigate an underwater meteor, and Rika and Renamon defend the city from invading Digimon. Mephistomon disables worldwide communications and allows Digimon to invade the real world, using the computer virus called “V-Pet”. It is revealed that Minami Uehara’s father, Takehito, created it. The Tamers help Minami’s partner, Seasarmon, defeat Mephistomon and restore the world. Early mistranslated promo information cemented the idea that the film was out of continuity with the series, but in the finished one, there is very little to suggest that this could be true. Given that Kai goes on to appear later in the series itself, and knows who Guilmon is at the time, would suggest that the film is in continuity. The Tamers’ Digimon in their Ultimate-level forms (WarGrowlmon, Rapidmon and Taomon) create a new attack. It consists of the Digimon changing into a crystallized form and combining together to form a giant bird made of pure energy. This move has been dubbed the “Trinity Burst”.

Runaway Locomon[ edit ]

Digimon Tamers: Runaway Locomon
Japanese デジモンテイマーズ 暴走デジモン特急
Hepburn Dejimon Teimāzu: Bōsō no Dejimon Tokkyū
Directed by Tetsuji Nakamura
Written byHiro Masaki
Music byTakanori Arisawa
Release date
March 2, 2002 (2002-03-02)
Running time
30 minutes
Box office$7.8 million

Digimon Tamers: Runaway Locomon originally released in Japan as Digimon Tamers: Runaway Digimon Express, is the sixth Digimon film. [9] This is also the fourth American compilation film. It was released in Japan on March 2, 2002. It was released in the United States on October 2, 2005.

Entitled Digimon Tamers: The Runaway Digimon Express in Japan, the film is set after the series finale for the television series. While planning to celebrate Rika’s birthday party, the Tamers encounter Parasimon , who opens a portal to the Digital World, while possessing Locomon . The invasion of the city ensues, until Gallantmon: Crimson Mode destroys Parasimon’s army with one shot. The film served to provide insight on Rika, and to confirm that the Tamers were reunited with their Digimon partners after the series ended. The film’s storyline takes place two months after the Tamers had figured out how to send messages to their Digimon in the Digital World.

Chiaki Konaka states in his character notes (for Rika) that he “was not consulted” on Runaway Locomon, which possibly explains certain continuity errors. On this he also says: “However, …Mr. Tetsuharu Nakamura [the director], [who was] an assistant director of the TV series… [and] Mr. Hiro Masaki,… a regular writer for the series… paid a great deal of attention to the psychological aspects of the series when completing the movie… I am very grateful to them for boldly illustrating the parts of Rika’s family life that the TV series never explored.”

Digimon Frontier films[ edit ]

Digimon Frontier: Island of Lost Digimon[ edit ]

Digimon Frontier: Island of Lost Digimon/Digimon Frontier: Ancient Digimon Revival
Japanese デジモンフロンティア: 古代デジモン復活!!
Hepburn Dejimon Furontia: Kodai Dejimon Fukkatsu!!
Directed byTakahiro Imamura
Written byYoshihiro Tomita
Music byTakanori Arisawa
Edited byShigeru Nishiyama
Production
company
Toei Animation
Distributed by Toei Company (Japan)
The Walt Disney Company (International)
Release date
  • July 20, 2002 (2002-07-20)
Running time
40 minutes
Country Japan
Language Japanese
English
Box office$5.9 million

Digimon Frontier: Island of Lost Digimon originally released in Japan as Digimon Frontier: Ancient Digimon Revival (デジモンフロンティア: 古代デジモン復活!!, Dejimon Furontia: Kodai Dejimon Fukkatsu!!) is the seventh Digimon film and the fifth and most current American compilation film. [10] It was released in Japan July 20, 2002, and in the United States, October 23, 2005.

Takuya and his DigiDestined team are traveling through a desert when they find themselves ending up on a floating continent known as the Lost Island in a civil war between human-type and beast-type Digimon. In the village of humanoid Digimon, Takuya, J.P., and Tommy learn from Kotemon of a legend that the island was protected by their god Ornismon. Kotemon proceeds to take them to a neutral location where his friend Bearmon brought Koji and Zoe after they ended up in his village. After the two sides argue what they learned, Bearmon and Kotemon lead them to a mural of Ornismon with Bokomon deeming the DigiCode to be incomplete. Their peaceful meeting is broken up as Kotemon and Bearmon’s older brothers, Dinohyumon and Grizzlymon, appear and battle each other. But after Takuya and Koji spirit evolve to Agunimon and KendoGarurumon to stop them, the respective brothers walk away.

As the human Digimon prepare for battle when their leader d’Arcmon rallies the crowd, Takuya reluctantly accepts Dinohyumon’s recruitment offer to allow Tommy to escape with Kotemon. A similar event with J.P. and Zoe spiriting Bearmon occurs at the beast Digimon village as Koji accepts Grizzlymon’s offer during a speech by the beast Digimons’ leader Hippogriffomon. Zoe, Tommy, J.P, Bokomon, and Neemon help many Fresh Digimon assemble the writing under the mural. But upon its completion, Bokomon deciphers that Ornismon is actually an evil Digimon that oppressed the island before being sealed away by the Anicent Warriors—AncientGreymon and AncientGarurumon. Furthermore, after the group notices a missing piece in the mural that is identical to the ornament both d’Arcmon and Hippogriffomon possess, J.P. and Zoe proceed to inform Takuya and Koji while the others stay behind in hope that they can find an answer to the crisis.

On the battlefield, Takuya and Koji eventually spirit evolve to BurningGreymon and Lobomon to stop the war, but end up getting both sides to turn on them before Kazemon and Beetlemon arrive. The two revealed that on their way, they discovered a horrible secret: the two armies’ leader being the same Digimon when catching d’Arcmon transform into Hippogriffomon. Exposed while forced to become d’Arcmon again, the fraud confesses to have been collecting the Fractal Code from the many fallen Digimon to revive and control Ornismon while assuming his true form: Murmukusmon. Overpowering the Legendary Warriors, Murmukusmon guides Ornismon to the murals of AncientGreymon and AncientGarurumon, which begin shining. Kotemon gives his life to protect them, and Bearmon’s tears along with Kotemon’s sacrifice summons spectral forms of the Ancient Warriors. Their appearance gives the DigiDestined a second wind with the island residents joining them as Agunimon takes out Murmukusmon before the Legendary Warriors destroy Ornismon for good. With Ornismon no more, the Lost Island returns to the Digital World with the two sides finally making peace with Kotemon turning up alive as he and Bearmon have a tearful reunion.

Digimon Savers (Data Squad) films[ edit ]

Ultimate Power! Activate Burst Mode!![ edit ]

Digimon Savers: Ultimate Power! Burst Mode Activated!!
Japanese デジモンセイバーズ: 究極パワー! バーストモード発動!!
Hepburn Dejimon Seibāzu: Kyūkyoku Pawā! Bāsuto Mōdo Hatsudō!!
Directed by Tatsuya Nagamine
Written by Ryota Yamaguchi
Music by Keiichi Oku
Release date
  • December 9, 2006 (2006-12-09)
Running time
21 minutes
Box office$850,000

Digimon Savers: Ultimate Power!Burst Mode Activated!! (デジモンセイバーズ: 究極パワー! バーストモード発動!!, Dejimon Seibāzu: Kyūkyoku Pawā! Bāsuto Mōdo Hatsudō!!) is the 9th Digimon film, released on December 9, 2006 by Toei Animation based on the Digimon Data Squad anime. [11] It is considered non-canon to the series.

The plot revolves around Agumon, Gaomon and Lalamon, whose partners are put into an eternal sleep, along with the rest of the humans, because of a mysterious thorn that spread throughout the city. After saving Rhythm, a Digimon in the form of a young girl, they learn from her that the thorns are the work of an Ultimate Digimon, named Argomon, and the four set out for his castle to confront him.

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The Digital World in Imminent Danger![ edit ]

Digimon Savers 3D: The Digital World in Imminent Danger!
Japanese デジモンセイバーズ3D デジタルワールド 危機イッパツ !
Hepburn Dejimon Saibāzu 3D: Dejitaru Wārudo Kiki Ippatsu!
Directed byNakamura Tetsuharu
Music byTakanori Arisawa
Release date
  • October 3, 2009 (2009-10-03)
Running time
7 minutes

Digimon Savers 3D: The Digital World in Imminent Danger! (デジモンセイバーズ3D デジタルワールド 危機イッパツ !, Dejimon Saibāzu 3D: Dejitaru Wārudo Kiki Ippatsu!) is a 7-minute CG featurette produced by Toei Animation that was originally screened at the Time Machine of Dreams theme park attraction at Sanrio Puroland from July 8, 2006 to July 2, 2008 and Harmonyland. It made its theatrical debut on October 3, 2009 alongside Digimon Adventure 3D: Digimon Grandprix!, GeGeGe no Kitaro: Kitaro’s Ghost Train and Yaemon, The Locomotive as part of the Burst Out! 3D Toei Anime Festival. [12] It was released on DVD along with the other three films on February 21, 2010 under the name “CG Toei Anime Festival” and was later included on a bonus disc in the Digimon THE MOVIES Blu-ray 1999–2006 compilation, released on January 9, 2015.

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Other films[ edit ]

Digital Monster X-Evolution[ edit ]

Digital Monster X-Evolution
Written by Kazunori Itō
Miwa Kawasaki
Directed by Hiroyuki Kakudou
Starring Minami Takayama
Chika Sakamoto
Hideyuki Tanaka
Masako Nozawa
Mayumi Yamaguchi
Junko Noda
Theme music composerTakehiko Gokita
Country of origin Japan
Hong Kong
Original language(s) Japanese
Production
Producer(s)Atsutoshi Umezawa
Editor(s)Shigeru Nishiyama
Running time77 minutes
Production company(s)Toei Animation
Imagi Animation Studios
Budget$2.5 million
Release
Original network Fuji TV
Original releaseJanuary 3, 2005 (2005-01-03)

Digital Monster X-Evolution (デジタルモンスター ゼヴォリューション, Dejitaru Monsutā Zevoryūshon) is the eighth Digimon film, and the first to air originally on Japanese television. It aired on 3 January 2005, at 7:15 a.m. UTC+9/ JST on the Fuji TV network. [13]

Digital Monster X-Evolution is also the first and, so far, only Digimon movie to be done entirely in CG (CG animation by Imagi Animation Studios ), as well as the only Digimon movie not related to one of the Digimon anime series. It is frequently referred to among fans by the commonplace portmanteau , “Digimon X-Evolution”.

In the Digital World , the overpopulation of Digimon forces the world’s creator, the supercomputer Yggdrasil to launch the X-Program which exterminates ninety-eight percent of all Digimon. Creating a smaller, new Digital World via Project Ark, Yggdrasil learns a small group of Digimon have gained a vaccine called the X-Antibody, that makes them immune to the X-Program, and upgrades them with new abilities and appearances. Yggdrasil dispatches its guards, the Royal Knights , to exterminate the X-Digimon. The Royal Knights consists of the merciless, loyal Omnimon, his best friend Gallantmon who questions Yggdrasil’s motives, and the quiet Magnamon.

Dorumon, a dragon-like Digimon and X-Antibody carrier, does not understand the prejudice from other Digimon. He is targeted by a Leomon for his X-Antibody, but Leomon is struck by lightning and dies, asking Dorumon to live for him. Omnimon is summoned to a meeting between regular Digimon and X-Digimon, but he exterminates all of them save WarGreymon X and a Tokomon. The two crashland near a temple where Dorumon lives, WarGreymon X leaving Tokomon in Dorumon’s care whilst he lures Omnimon away. Dorumon witnesses Omnimon exterminate a herd of Digimon who oppose Yggdrasil’s will before being targeted himself. WarGreymon X and MetalGarurumon X arrive, but the latter is killed, though not before giving his X-Antibody to a wounded Tokomon.

Dorumon digivolves into his Champion-level Dorugamon, but Gallantmon arrives, revealing to Omnimon that Project Ark’s second phase involves wiping out all Digimon, something which he refuses to participate in. Omnimon and Gallantmon duel, but Gallantmon allows himself to be killed so he can discern the truth, leaving Omnimon confused. Magnamon capture Dorugamon on Yggdrasil’s command, revealing Dorumon is an experiment. Data is extracted from Dorugamon, used to create an army of DexDoruGreymon while Dorugamon is dumped in a junkyard where he is found by resistance members Mummymon and Wizardmon. Yggdrasil’s horde attacks the group’s base, but WarGreymon X and a revived MetalGarurumon X help protect it. Dorugamon awakens, digivolving into DoruGreymon, resembling the attacking horde. Gallantmon returns as an X-Digimon, opening a portal for DoruGreymon to confront Yggdrasil.

DoruGreymon confronts Magnamon and a disillusioned Omnimon. DoruGreymon digivolves into his Mega-level Alphamon, a legendary missing Royal Knight. Alphamon and Omnimon join forces to face Yggdrasil, but the loyal Magnamon warns his master of their arrival. In Yggdrasil’s core, the Knights get nowhere with answers, and have to battle Alphamon’s counterpart Dexmon. Alphamon impales himself and Dexmon using his own sword, and gives his X-Antibody to Omnimon, who successfully slays Yggdrasil. In the rebooted Digital World, Omnimon and Gallantmon muse over Yggdrasil’s choices, concluding it merely wanted to live in the Digital World but it was too complex for it. Alphamon survives as Dorumon, reuniting with Tokomon.

References[ edit ]

  1. ^ “Toei Group” . Official Movie 1 Website. Archived from the original on April 29, 1999. 
  2. ^ “Toei Group” . Official Movie 2 Website. 
  3. ^ Osmond, Andrew (March 2011). “Our War Game!”. Neo Magazine (82): 12. 
  4. ^ “Toei Group” . Official Movie 3 Website. 
  5. ^ “Toei Group” . Official Movie 4 Website. 
  6. ^ “Toei Anime” . 2009 Toei 3D Film Festival. 
  7. ^ “Digimon Adventure” . Official Movie Tri. Website. 
  8. ^ “Toei Anime” . Official Movie 5 Website. 
  9. ^ “Toei Anime” . Official Movie 6 Website. 
  10. ^ “Toei Anime” . Official Movie 7 Website. 
  11. ^ “Toei Anime” . Official Movie 9 Website. 
  12. ^ “Toei Anime” . 2009 Toei 3D Film Festival. 
  13. ^ “Toei Anime” . Official Movie 8 Website. 
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        Hey guys, Im currently a CWI looking to get API 510, 570 and 653. I am starting with 510. With my CWI experience I feel that I will not have a problem navigating the API codebook. I have some great study material and I am going to give self study a shot. In any case, did everyone here take the exam with ALL the code books in the API 510 Body of Knowledge? I have an IHS Standards subscription for ASME BPVC thru my job, but if I buy all the codes and RPs, its going to be an expensive endeavor! I was considering buying only the 510 and using the printed ASME chapter from my job. Thoughts? Thanks in advance.

        RE: API-510 Exams code books?


        My opinion the best thing is to purchase an API-510 ICP (Inspector certification package). Be sure to order it for the date you plan on taking the exam. http://www.global.ihs.com/api_certification.cfm
        Thanks Mike

        RE: API-510 Exams code books?


        My experience;
        Several years back I took the 510 exam using the Code books referenced in BOK. I spent a total of 15-18 hours studying the material over a period of several weeks prior to the test date. I’m pretty familiar with Sec V, VIII & IX because I work with them every day so most of my study time was spent on the API standards. I found the exam to be heavy on ASME Sec VIII and IX and fairly easy.
        Exams change so your experience may be quite different but I would recommend that you ensure you can proficiently review a PQR and a WPS and determine it’s conformance to Sec IX, be capable of performing simple calculations for thickness / pressure, understand the rules pertaining to joint efficiency, nozzle reinforcement, and impact testing per Sec VIII. Of course, you should also be familiar with API 510 and the basics of the various NDE methods.
        Although they may not have the latest version, some larger city libraries have codes and standards available.
        Study hard and you’ll do fine.

        RE: API-510 Exams code books?

        (OP)


        Thanks for the tips guys. Were there any checks done on your code books? I was kind of upset when I spent $320 on my 1104 and since they never checked, people in my class with printed out PDFs were fine.

        RE: API-510 Exams code books?


        They spot checked in my examination. With respect to the printed pdf, it’s possible they were using a licensed copy, like I do…

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        API 510 Page 1 of 310
        INTRODUCTION API 510 STUDY MATERIAL HOW TO USE THESE BOOKS
        These books can be used in a self-study or instructor led format. There are two volumes, the Text and the Questions and Answers.
        TEXT BOOK
        The Text book’s table of contents follows the API 510 Body of Knowledge that was in effect at the time of its writing. Each area can be studied as a stand alone module for those who do not intend to sit for the API 510 exam, but want to obtain a better understanding on a given Code subject. The process found to most effective for general use is to study each subject of interest and complete the quizzes at the end of that module. As regards to calculations, after mastering the given material, refer to the Advanced Material section to increase the depth of understanding. The Advanced Material covers the calculations required for some actual circumstances that might be encountered in the field. For those intending to sit for the API 510 examination, some helpful suggestions are contained in the back of the Text book. These include such things as what paragraphs to tab within the ASME Code books, and cross over subjects from the API to the ASME Codes. At this writing the exam candidate is allowed to use the ASME Code books and the API books on the first portion of the test only. No reference material is allowed for the second half of the test!
        QUESTIONS AND ANSWERS BOOK The Questions and Answers are divided into two types.
        The first portion covers the ASME Codes, Sections VIII Div. 1 Unfired Pressure Vessels, Section IX Welding, and Section V Nondestructive Testing. These questions are typical of  previous National Board Authorized Inspector exams. These should be used to obtain a feel for the nature of the ASME Code questions. They are not for memorization. The second portion contains questions from the API 510 Code and the Recommended Practices, titled RPI 572 Inspection of Pressure Vessels, RPI 576 Pressure Relieving Devices and Chapter II -Conditions Causing Deterioration of Failures. These questions are for memorization if the examination will be taken!

         

        API 510 Page 2 of 310
        API 510 Module
        Table of Contents
        API CODES
        API 510 Corrosion Rates and Inspection Intervals
        Scope 6 Inspection Interval 10 Records and Test 11 Metal loss including corrosion averaging 15 Corrosion rates 15 Remaining Corrosion Allowance 16 Remaining Service Life 16
        API 576 Pressure Relieving Devices
        Scope 19 Types of pressure relieving devices 19 Reasons for Inspection 22 Causes of Improper Performance 23 Frequency and Time of Inspection 23
        API 572 Inspection of Pressure Vessels
        Scope 26 Reasons for Inspection 27 Causes of Deterioration 28 Methods of Inspection 29 Records and Reports 36
        IRE Chapter 11
        Coverage from the API 510 Body of Knowledge 43

         

        API 510 Page 3 of 310
        ASME Section VIII Div. 1 Joint Efficiencies
        UW-3 Weld Categories 48 UW-51 RT Examination of Welded Joints 58 UW-52 Spot Examination of Welded Joints 59 UW- 11 RT and UT Examinations 61 UW-12 Maximum Allowable Joint Efficiencies 69
        Postweld Heat Treatment
        UW-40 Procedures for Postweld Heat Treatment 93 UCS-56 Requirements for Postweld Heat Treatment 94
        Vessels Under Internal Pressure
        UG-27 Thickness of Shells Under Internal Pressure 96 UG-32 Formulas and Rules for Using Formed Heads 107 UG-34 Unstayed Flat Heads and Covers (Circular) 113
        Cylinder Under External Pressure
        UG-28 Thickness of Shells and Tubes (External Pressure) 120
        Pressure Testing
        UG-20 Design Temperature 127 UG-22 Loadings 129 UG-25 Corrosion 130 UG-98 Maximum Allowable Working Pressure 131 UG-99 Hydrostatic Test Pressure and Procedure 132 UG-100 Pneumatic Test Pressure and Procedure 135 UG-102 Test Gages 138
        Minimum Requirements for Attachment Welds at Openings
        UW-16 Weld Size Determination 140

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